After violently responding to protests in its own country, Saudi Arabia has now decided to violently suppress protests in neighboring Bahrain. Thankfully, the Obama administration has urged Saudi Arabia to exercise restraint.
Consider it exercised.
What it's all about
Rummaging through life's couch cushions for topics in the law, economics, sports, stats, and technology
Monday, March 14, 2011
Thursday, March 10, 2011
Scrot check
It's easy to wax philosophical about autocratic, repressive leaders in Libya and Tunisia. Freedom for the small potatoes, right? Sweet. I'm down. But let's see if we have the huevos to stand up to violent repression in Saudi Arabia.
Don't hold your breath.
$10 a gallon for gasoline, anyone?
Don't hold your breath.
$10 a gallon for gasoline, anyone?
Wednesday, March 9, 2011
Gladwell's Theory of Proficiency and a Question about Well-Roundedness
Malcolm Gladwell, in his book Outliers, presents the 10,000-hour rule, a theory that to become proficient at a given task, you must dedicate about 10,000 hours to said task. That equates to about four hours a day for ten years. Few of us spend that much time doing anything, with the possible exception of sleeping (and perhaps watching TV). And that's probably a big part of the reason why few of us develop our talents to greatness.
Gladwell's theory makes me wonder about my own lifestyle choices. I mean, I want to be great at stuff, but I also like to do a lot of stuff. I spend a lot of time writing, playing music and running, but not at a rate where I'll get to 10,000 hours any time soon. It makes you appreciate the difficulties in trying to be well rounded and trying to be really good at any one task.
It's certainly possible for some. For example, Nabokov wrote books in three languages, was one of the most accomplished translators of Russian literature, and was among the best lepidopterists of his time. He was great at all of these things, but it is doubtful that he spent 10,000 hours or more on each. Perhaps if the skills are interrelated, you don't need to spend all 10,000 hours to develop each individual skill. Time reading helps you become a better writer. Time listening to music could make you a better musician. Time translating Russian to English makes you a better writer in both languages.
And, of course, an otherworldly intellect doesn't hurt, either.
Gladwell's theory makes me wonder about my own lifestyle choices. I mean, I want to be great at stuff, but I also like to do a lot of stuff. I spend a lot of time writing, playing music and running, but not at a rate where I'll get to 10,000 hours any time soon. It makes you appreciate the difficulties in trying to be well rounded and trying to be really good at any one task.
It's certainly possible for some. For example, Nabokov wrote books in three languages, was one of the most accomplished translators of Russian literature, and was among the best lepidopterists of his time. He was great at all of these things, but it is doubtful that he spent 10,000 hours or more on each. Perhaps if the skills are interrelated, you don't need to spend all 10,000 hours to develop each individual skill. Time reading helps you become a better writer. Time listening to music could make you a better musician. Time translating Russian to English makes you a better writer in both languages.
And, of course, an otherworldly intellect doesn't hurt, either.
Tuesday, March 8, 2011
Creativity and Charlie Sheen
I don't find Charlie Sheen as fascinating as some, but one can't deny the phenomenon that is Charlie Sheen today. From what I've seen, his act strikes me as a cocky, sexual form of stream of consciousness. Kind of a less cerebral, more Bacchanalian version of Ulysses. It doesn't bother me and it doesn't pique my interest. But the broad-based viral obsession over his antics is real, and that's something that fascinates me.
I stumbled upon this Scott Adams commentary on Sheen, which is great. According to Adams, who has met the man, what makes Sheen noteworthy is his 1) extraordinary acting talent and 2) complete lack of filter. The former is debatable, but not of interest to me. It's the latter that strikes me as both true and worth analyzing. It's common to describe a person as having "no filter," but most people described as such are merely less tactful than most. Sheen, or at least when he's most interesting, appears to not know where his own thoughts are going. And to do that on broadcasts that are seen by millions is a rare.
Adams says (and I'm paraphrasing) that the great artist and the lunatic are the only people who have no filter. Manners are dull, and by avoiding them, an artist has an advantage in making their creativity attractive to others. By saying what they're thinking, artists act on what others only think, but don't do. This is part of the release of experiencing art that makes creativity attractive to others, and why Sheen is so enthralling.
Adams also says that for those who break ground artistically, many teeter on the verge of insanity. Or, at a minimum, that's the way they are perceived. Because insane people and those who live a filterless lifestyle -- let's just say there's overlap in their Venn Diagrams. The only difference, as I see it, is intent. Those who are insane have no choice but to live without filters. They are out of control. But the artist can go back and forth. Still, one can see how the lines could blur.
I'd like to propose two corollaries to the Scott Adams theory: First, it's not easy to be polite and creative at the same time. To avoid offending, you have to err on the side of the conventional. If you're conventional, it's hard to find an edge that will make you worth watching.
Second, one cannot function well in society without a filter. Sheen, an artist whose non-traditional lifestyle choices have been known for decades, lost his job when he let go of the shackles. Most professional workplace situations disallow any display of ad libbing, much less a complete lack of filter. That's why it's inconceivable for someone go from working at Microsoft for ten years and then start working as a professional comedian. Success at the one only comes with the death of the instincts that make you good at the other.
And that's all I have to say about that.
I stumbled upon this Scott Adams commentary on Sheen, which is great. According to Adams, who has met the man, what makes Sheen noteworthy is his 1) extraordinary acting talent and 2) complete lack of filter. The former is debatable, but not of interest to me. It's the latter that strikes me as both true and worth analyzing. It's common to describe a person as having "no filter," but most people described as such are merely less tactful than most. Sheen, or at least when he's most interesting, appears to not know where his own thoughts are going. And to do that on broadcasts that are seen by millions is a rare.
Adams says (and I'm paraphrasing) that the great artist and the lunatic are the only people who have no filter. Manners are dull, and by avoiding them, an artist has an advantage in making their creativity attractive to others. By saying what they're thinking, artists act on what others only think, but don't do. This is part of the release of experiencing art that makes creativity attractive to others, and why Sheen is so enthralling.
Adams also says that for those who break ground artistically, many teeter on the verge of insanity. Or, at a minimum, that's the way they are perceived. Because insane people and those who live a filterless lifestyle -- let's just say there's overlap in their Venn Diagrams. The only difference, as I see it, is intent. Those who are insane have no choice but to live without filters. They are out of control. But the artist can go back and forth. Still, one can see how the lines could blur.
I'd like to propose two corollaries to the Scott Adams theory: First, it's not easy to be polite and creative at the same time. To avoid offending, you have to err on the side of the conventional. If you're conventional, it's hard to find an edge that will make you worth watching.
Second, one cannot function well in society without a filter. Sheen, an artist whose non-traditional lifestyle choices have been known for decades, lost his job when he let go of the shackles. Most professional workplace situations disallow any display of ad libbing, much less a complete lack of filter. That's why it's inconceivable for someone go from working at Microsoft for ten years and then start working as a professional comedian. Success at the one only comes with the death of the instincts that make you good at the other.
And that's all I have to say about that.
Wednesday, February 23, 2011
An open letter to New York Knicks fans
Perhaps you've heard, Carmelo Anthony is going to New York. On an intellectual level, I don't begrudge anyone's decision to go where they choose. On a personal level, he's been pissing in a lot of folks' Cheerios for months. There's a dozen people who are going to have to move their lives and their families to make him happy. That's pretty selfish, but few people reach his level of success without that kind of self obsession.
This letter is for anyone who is excited about seeing Carmelo Anthony play in New York. As a former Nuggets season ticket holder, I can assure you that he's fun to watch. Sometimes. He'll probably make the Knicks a better team from the first game he plays. He'll make the games more exciting. Initially.
But if you look closely, you'll see things that are hard to quantify with simple or advanced stats. You may not notice on TV whose man just went to the basket unguarded because his defender left him alone. But if you go to a lot of Carmelo Anthony's games, they are often his. And you may see an increased frequency of open dunks for opponents because somebody half-heartedly fought through a screen. And then there's all the times the home team has to play a man down because Carmelo Anthony is upset because he didn't get a call.
And then, a few seconds later, 'Melo will send home an alley oop or drain an unguardable shot, and you'll say, it's all worth it.
Repeat.
He's an amazing player - an epic talent - but as frustrating as any sports figure I've watched.
Good look, Knickerbockers.
This letter is for anyone who is excited about seeing Carmelo Anthony play in New York. As a former Nuggets season ticket holder, I can assure you that he's fun to watch. Sometimes. He'll probably make the Knicks a better team from the first game he plays. He'll make the games more exciting. Initially.
But if you look closely, you'll see things that are hard to quantify with simple or advanced stats. You may not notice on TV whose man just went to the basket unguarded because his defender left him alone. But if you go to a lot of Carmelo Anthony's games, they are often his. And you may see an increased frequency of open dunks for opponents because somebody half-heartedly fought through a screen. And then there's all the times the home team has to play a man down because Carmelo Anthony is upset because he didn't get a call.
And then, a few seconds later, 'Melo will send home an alley oop or drain an unguardable shot, and you'll say, it's all worth it.
Repeat.
He's an amazing player - an epic talent - but as frustrating as any sports figure I've watched.
Good look, Knickerbockers.
Monday, February 21, 2011
Entrepreneurialism ad absurdum
I'm jealous of folks, including this guy, who create their own business model out of nothing. Chris Guillebeau loves to travel and hates traditional jobs, and so he's made himself the expert on non-conformity. Perhaps it's inaccurate to say that he's the expert on professional non-conformity. Maybe that's Johnny Rotten or Neil Hamburger, but he's made a business out of it. He's made a job out of being himself. And that sounds pretty great to me.
On his blog, he advocates others doing the same thing. And while I appreciate the sentiment, my sense is that entrepreneurialism is almost by definition something that cannot be generalized. The entrepreneur is akin to the pioneer who risks his life to stake out a homestead. Once an area has been settled and it's safe, others come and want to live in the same area, but those folks have to pay for their land. If you can make a business out of telling the late-comers how to homestead, good for you. But them folks missed the boat.
Chris Guillebeau writes books and speaks on how to start your own business. There's a lot more people out there, like me, who want to start their own business, but don't quite have the guts to give up the comforts of a stable job, than there are people who are willing to risk their livelihood and career on it, just as there are many more attempted entrepreneurs who attempt to start their own business than there are people who make a living off it. It's kind of an entrepreneurial pyramid scheme. Great work if you can get it, and those who pull it off are to be commended. But the homesteaders who sell the hope strike me as a bit disingenuous.
On his blog, he advocates others doing the same thing. And while I appreciate the sentiment, my sense is that entrepreneurialism is almost by definition something that cannot be generalized. The entrepreneur is akin to the pioneer who risks his life to stake out a homestead. Once an area has been settled and it's safe, others come and want to live in the same area, but those folks have to pay for their land. If you can make a business out of telling the late-comers how to homestead, good for you. But them folks missed the boat.
Chris Guillebeau writes books and speaks on how to start your own business. There's a lot more people out there, like me, who want to start their own business, but don't quite have the guts to give up the comforts of a stable job, than there are people who are willing to risk their livelihood and career on it, just as there are many more attempted entrepreneurs who attempt to start their own business than there are people who make a living off it. It's kind of an entrepreneurial pyramid scheme. Great work if you can get it, and those who pull it off are to be commended. But the homesteaders who sell the hope strike me as a bit disingenuous.
Thursday, February 17, 2011
Iran's Perfect Timing
With all the excitement over democracy/anarchy spreading like margarine around the Middle East, I haven't heard many wankers wank about this just yet. Iran is deploying warships through the Suez Canal. Ho hum, right? Iran's always doing crazy shit.
True, but this is provocative, even by Iranian standards. It's a big, crooked, hairy Persian middle finger pointed at Israel. And Israel is a country known to be sensitive about middle fingers pointed in its direction. Particularly by countries that openly express hopes of turning their country into a sandlot.
So Israel might react. How much is hard to say. It's an escalation of tensions, for sure.
It makes me uneasy, but uneasy in a typical Iran sorta way. But the timing, well, that makes me scratch at my eyes a bit. A guy lights himself on fire in Tunisia, and a few weeks later, a dictator who'd been around since 1987, Ben Ali, gets run out of the country. Soon thereafter, protesters force another dictator, Hosni Mubarak, who'd been around since 1981, to give up his power. There's protests crackling in Algeria, Bahrain, Yemen, and Iran. All these autocratic countries start to get nervous. The "people" are upset, and they're starting to believe that this time, they might get what they want: a real chance at self determination. It's powerful stuff.
But if there's one thing the Muslim world hates more than their own corrupt and tyrannical governments, it's Israel. And if you're an Iranian dictator nervous about a coup d'etat, it's the perfect time to remind "the people" about their true enemy. The best way to make that happen is by provoking the beast.
Warships, anyone?
True, but this is provocative, even by Iranian standards. It's a big, crooked, hairy Persian middle finger pointed at Israel. And Israel is a country known to be sensitive about middle fingers pointed in its direction. Particularly by countries that openly express hopes of turning their country into a sandlot.
So Israel might react. How much is hard to say. It's an escalation of tensions, for sure.
It makes me uneasy, but uneasy in a typical Iran sorta way. But the timing, well, that makes me scratch at my eyes a bit. A guy lights himself on fire in Tunisia, and a few weeks later, a dictator who'd been around since 1987, Ben Ali, gets run out of the country. Soon thereafter, protesters force another dictator, Hosni Mubarak, who'd been around since 1981, to give up his power. There's protests crackling in Algeria, Bahrain, Yemen, and Iran. All these autocratic countries start to get nervous. The "people" are upset, and they're starting to believe that this time, they might get what they want: a real chance at self determination. It's powerful stuff.
But if there's one thing the Muslim world hates more than their own corrupt and tyrannical governments, it's Israel. And if you're an Iranian dictator nervous about a coup d'etat, it's the perfect time to remind "the people" about their true enemy. The best way to make that happen is by provoking the beast.
Warships, anyone?
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